<![CDATA[The Peacock Room]]> https://peacockroom.wayne.edu/items/browse/tag/Door?output=rss2 Sun, 26 Apr 2026 22:51:26 +0000 libwebmaster@wayne.edu (The Peacock Room) Zend_Feed http://blogs.law.harvard.edu/tech/rss <![CDATA[Frame and register door for slow combustion stove.]]> https://peacockroom.wayne.edu/items/show/3067

Dublin Core

Title

Frame and register door for slow combustion stove.

Description

Door
This decorative frame and register door for a slow combustion stove is made of cast iron. Its ornamental motif of roundels enclosing Japanese-inspired flowers and insects on a patterned ground echoes the patterns on room's shelving spindles and on the frame surrounding <i>The Princess from the Land of Porcelain</i>, which hangs directly above the fireplace. The designer of the surround, Norwich architect Thomas Jeckyll, had begun producing metalwork designs for a local foundry, Banard, Bishop, & Barnards, around 1859. His first design for a fireplace surround like this one was registered in 1873, and a version identical in form to this one appeared in the 1878 catalogue of Barnard, Bishop, & Barnards, where it was listed as no. 682, available in "Berlin blacked," "electro-bronzed," or polished brass. These were immensely popular in the 1880s, frequently used by leading Aesthetic Movement architects such as Norman Shaw and praised by tastemakers for combining beauty with utility. When Charles Lang Freer purchased the Peacock Room in 1904, most of its original furnishings had been removed. This piece, identical to the one that was in the Peacock Room in London, was acquired by the museum in 1976.

Creator

Thomas Jeckyll (1827-1881)

Date

ca. 1878

Contributor

Gift of Harold P. Stern

Format

Cast iron
HxW: 91.3 x 60.0 cm

Identifier

FSC-M-16
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/FSC-M-16.jpg

Coverage

United Kingdom

Freer

Label Text

This decorative frame and register door for a slow combustion stove is made of cast iron. Its ornamental motif of roundels enclosing Japanese-inspired flowers and insects on a patterned ground echoes the patterns on room's shelving spindles and on the frame surrounding The Princess from the Land of Porcelain, which hangs directly above the fireplace. The designer of the surround, Norwich architect Thomas Jeckyll, had begun producing metalwork designs for a local foundry, Banard, Bishop, & Barnards, around 1859. His first design for a fireplace surround like this one was registered in 1873, and a version identical in form to this one appeared in the 1878 catalogue of Barnard, Bishop, & Barnards, where it was listed as no. 682, available in "Berlin blacked," "electro-bronzed," or polished brass. These were immensely popular in the 1880s, frequently used by leading Aesthetic Movement architects such as Norman Shaw and praised by tastemakers for combining beauty with utility. When Charles Lang Freer purchased the Peacock Room in 1904, most of its original furnishings had been removed. This piece, identical to the one that was in the Peacock Room in London, was acquired by the museum in 1976.

Object Name

Door

Dated

ca. 1878

Medium

Cast iron

Dimensions

HxW: 91.3 x 60.0 cm

Country

United Kingdom

Credit Line

Gift of Harold P. Stern

Artist

Thomas Jeckyll (1827-1881)

Title

Frame and register door for slow combustion stove.

Object Number

FSC-M-16

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/FSC-M-16.jpg

Still Image Item Type Metadata

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