<![CDATA[The Peacock Room]]> https://peacockroom.wayne.edu/items/browse/tag/blue+and+white?output=rss2 Mon, 13 Apr 2026 16:41:34 +0000 libwebmaster@wayne.edu (The Peacock Room) Zend_Feed http://blogs.law.harvard.edu/tech/rss <![CDATA[Baluster vase, from a five-piece garniture (F1980.190-.194)]]> https://peacockroom.wayne.edu/items/show/3397

Dublin Core

Title

Baluster vase, from a five-piece garniture (F1980.190-.194)

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Format

Porcelain with cobalt pigment under clear colorless glaze
HxWxD: 40.3 x 13.0 x 13.0 cm

Identifier

F1980.190a-c
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.190a-c.jpg

Coverage

1
82
East
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

HxWxD: 40.3 x 13.0 x 13.0 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Iteration

1

Shelf Number

82

Wall

East

Title

Baluster vase, from a five-piece garniture (F1980.190-.194)

Object Number

F1980.190a-c

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.190a-c.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:47:34 +0000 <![CDATA[Vase]]> https://peacockroom.wayne.edu/items/show/3389

Dublin Core

Title

Vase

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Helen D. Lally

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 47.0 x 20.0 x 20.0 cm

Identifier

F1991.62
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.62.jpg

Coverage

1
214
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 47.0 x 20.0 x 20.0 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Helen D. Lally

Iteration

1

Shelf Number

214

Wall

West

Title

Vase

Object Number

F1991.62

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.62.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:47:23 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3388

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift from the collection of Ann M. Lanier of the Montjoy family of Vienna, Austria

Format

Porcelain with cobalt pigment under clear glaze, metal rim
HxWxD: 7.0 x 55.8 x 55.8 cm

Identifier

F1991.63
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.63.jpg

Coverage

1
214
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze, metal rim

Dimensions

HxWxD: 7.0 x 55.8 x 55.8 cm

City

Jingdezhen

Country

China

Credit Line

Gift from the collection of Ann M. Lanier of the Montjoy family of Vienna, Austria

Iteration

1

Shelf Number

214

Wall

West

Title

Dish

Object Number

F1991.63

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.63.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:47:17 +0000 <![CDATA[Dish, one of a pair with F1992.55.1]]> https://peacockroom.wayne.edu/items/show/3378

Dublin Core

Title

Dish, one of a pair with F1992.55.1

Description

Plate
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 18th century

Contributor

Gift of Ruth E. Ganister and Anton H. Rosenthal

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 4.6 x 28.6 x 28.6 cm

Identifier

F1992.55.2
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.55.2.jpg

Coverage

1
207
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Plate

Dated

mid 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 4.6 x 28.6 x 28.6 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Ruth E. Ganister and Anton H. Rosenthal

Iteration

1

Shelf Number

207

Wall

West

Title

Dish, one of a pair with F1992.55.1

Object Number

F1992.55.2

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.55.2.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:47:09 +0000 <![CDATA[Vase]]> https://peacockroom.wayne.edu/items/show/3375

Dublin Core

Title

Vase

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Format

Porcelain with cobalt pigment under clear glaze
Jingdezhen ware
HxWxD: 45.5 x 22.5 x 22.5 cm

Identifier

F1986.19a-b
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.19a-b.jpg

Coverage

1
205
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 45.5 x 22.5 x 22.5 cm

City

Jingdezhen

Country

China

Credit Line

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Iteration

1

Shelf Number

205

Wall

West

Title

Vase

Object Number

F1986.19a-b

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.19a-b.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:47:00 +0000 <![CDATA[Jar]]> https://peacockroom.wayne.edu/items/show/3368

Dublin Core

Title

Jar

Description

Jar
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Format

Porcelain with cobalt pigment under clear glaze
Jingdezhen ware
HxWxD: 45.5 x 22.5 x 22.5 cm

Identifier

F1986.20a-b
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.20a-b.jpg

Coverage

1
200
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Jar

Ware

Jingdezhen ware

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 45.5 x 22.5 x 22.5 cm

City

Jingdezhen

Country

China

Credit Line

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Iteration

1

Shelf Number

200

Wall

West

Title

Jar

Object Number

F1986.20a-b

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.20a-b.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:42 +0000 <![CDATA[Vase with design of deer in a landscape]]> https://peacockroom.wayne.edu/items/show/3363

Dublin Core

Title

Vase with design of deer in a landscape

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Purchase--Women's Committee of the Smithsonian Associates

Format

Glazed porcelain clay, cobalt pigment
Jingdezhen ware
HxWxD: 45.5 x 21.0 x 21.0 cm

Identifier

F1986.4a-b
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.4a-b.jpg

Coverage

1
196
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Glazed porcelain clay, cobalt pigment

Dimensions

HxWxD: 45.5 x 21.0 x 21.0 cm

City

Jingdezhen

Country

China

Credit Line

Purchase--Women's Committee of the Smithsonian Associates

Iteration

1

Shelf Number

196

Wall

West

Title

Vase with design of deer in a landscape

Object Number

F1986.4a-b

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.4a-b.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:38 +0000 <![CDATA[Dish, one of a pair with F1992.55.2]]> https://peacockroom.wayne.edu/items/show/3358

Dublin Core

Title

Dish, one of a pair with F1992.55.2

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 18th century

Contributor

Gift of Ruth E. Ganister and Anton H. Rosenthal

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 4.6 x 28.6 x 28.6 cm

Identifier

F1992.55.1
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.55.1.jpg

Coverage

1
191
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

mid 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 4.6 x 28.6 x 28.6 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Ruth E. Ganister and Anton H. Rosenthal

Iteration

1

Shelf Number

191

Wall

West

Title

Dish, one of a pair with F1992.55.2

Object Number

F1992.55.1

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.55.1.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:33 +0000 <![CDATA[Bottle-shaped vase]]> https://peacockroom.wayne.edu/items/show/3353

Dublin Core

Title

Bottle-shaped vase

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Format

Porcelain with cobalt pigment under clear colorless glaze
HxWxD: 23.5 x 12.0 x 12.0 cm

Identifier

F1982.18a-b
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.18a-b.jpg

Coverage

1
188
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

HxWxD: 23.5 x 12.0 x 12.0 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Iteration

1

Shelf Number

188

Wall

West

Title

Bottle-shaped vase

Object Number

F1982.18a-b

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.18a-b.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:26 +0000 <![CDATA[Vase, one of a pair with F1991.60]]> https://peacockroom.wayne.edu/items/show/3351

Dublin Core

Title

Vase, one of a pair with F1991.60

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Helen D. Lally

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 26.4 x 11.1 x 11.1 cm

Identifier

F1991.59
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.59.jpg

Coverage

1
187
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 26.4 x 11.1 x 11.1 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Helen D. Lally

Iteration

1

Shelf Number

187

Wall

West

Title

Vase, one of a pair with F1991.60

Object Number

F1991.59

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.59.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:26 +0000 <![CDATA[Dish with dragon design, one of a pair with F1992.6]]> https://peacockroom.wayne.edu/items/show/3346

Dublin Core

Title

Dish with dragon design, one of a pair with F1992.6

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Mr. John Gruber in memory of John Alexander Pope

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 3.5 x 21.1 x 21.1 cm

Identifier

F1992.5
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.5.jpg

Coverage

1
183
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 3.5 x 21.1 x 21.1 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. John Gruber in memory of John Alexander Pope

Iteration

1

Shelf Number

183

Wall

West

Title

Dish with dragon design, one of a pair with F1992.6

Object Number

F1992.5

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.5.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:26 +0000 <![CDATA[Dish, one of a pair with F1992.34.1]]> https://peacockroom.wayne.edu/items/show/3345

Dublin Core

Title

Dish, one of a pair with F1992.34.1

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Gift of the Lydman Collection

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 4.4 x 20.5 x 20.5 cm

Identifier

F1992.34.2
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.34.2.jpg

Coverage

1
182
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 4.4 x 20.5 x 20.5 cm

City

Jingdezhen

Country

China

Credit Line

Gift of the Lydman Collection

Iteration

1

Shelf Number

182

Wall

West

Title

Dish, one of a pair with F1992.34.1

Object Number

F1992.34.2

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.34.2.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:26 +0000 <![CDATA[Baluster vase, from a five-piece garniture (F1980.190-.194)]]> https://peacockroom.wayne.edu/items/show/3338

Dublin Core

Title

Baluster vase, from a five-piece garniture (F1980.190-.194)

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Format

Porcelain with cobalt pigment under clear colorless glaze
HxWxD: 40.5 x 13.0 x 13.0 cm

Identifier

F1980.191a-c
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.191a-c.jpg

Coverage

1
178
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

HxWxD: 40.5 x 13.0 x 13.0 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Iteration

1

Shelf Number

178

Wall

West

Title

Baluster vase, from a five-piece garniture (F1980.190-.194)

Object Number

F1980.191a-c

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.191a-c.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:12 +0000 <![CDATA[Plate with design of battling warriors, one of a pair with F1992.15.1]]> https://peacockroom.wayne.edu/items/show/3336

Dublin Core

Title

Plate with design of battling warriors, one of a pair with F1992.15.1

Description

Plate
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Mr. Pierre Durand

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 7.3 x 34.3 x 34.3 cm

Identifier

F1992.15.2
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.15.2.jpg

Coverage

1
176
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Plate

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 7.3 x 34.3 x 34.3 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. Pierre Durand

Iteration

1

Shelf Number

176

Wall

West

Title

Plate with design of battling warriors, one of a pair with F1992.15.1

Object Number

F1992.15.2

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.15.2.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:12 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3334

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

ca. 1700-1750

Contributor

Gift of Harriett C. Mathews in honor of Adriana Johanna Chutter-Kasteleijn

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 5.5 x 25.8 x 25.8 cm

Identifier

F1996.30
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1996.30.jpg

Coverage

1
175
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

ca. 1700-1750

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 5.5 x 25.8 x 25.8 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Harriett C. Mathews in honor of Adriana Johanna Chutter-Kasteleijn

Iteration

1

Shelf Number

175

Wall

West

Title

Dish

Object Number

F1996.30

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1996.30.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:11 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3328

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Purchase - Friends of Asian Arts

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 6.3 x 45.1 x 45.1 cm

Identifier

F1993.9
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1993.9.jpg

Coverage

1
170
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 6.3 x 45.1 x 45.1 cm

City

Jingdezhen

Country

China

Credit Line

Purchase - Friends of Asian Arts

Iteration

1

Shelf Number

170

Wall

West

Title

Dish

Object Number

F1993.9

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1993.9.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:09 +0000 <![CDATA[Dish with design of phoenix and peony]]> https://peacockroom.wayne.edu/items/show/3327

Dublin Core

Title

Dish with design of phoenix and peony

Description

Dish
Zhangzhou kilns
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 16th-early 17th century

Contributor

Gift of Joan Lebold and Jerome A. Cohen

Format

Porcelain with cobalt decoration under clear, colorless glaze
Zhangzhou ware
HxWxD: 4.8 x 28.9 x 28.9 cm

Identifier

F1991.47
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.47.jpg

Coverage

1
169
West
Ming dynasty
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Ware

Zhangzhou ware

Dated

late 16th-early 17th century

Period

Ming dynasty

Medium

Porcelain with cobalt decoration under clear, colorless glaze

Dimensions

HxWxD: 4.8 x 28.9 x 28.9 cm

Locale

Zhangzhou kilns

Country

China

Credit Line

Gift of Joan Lebold and Jerome A. Cohen

Iteration

1

Shelf Number

169

Wall

West

Title

Dish with design of phoenix and peony

Object Number

F1991.47

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.47.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:09 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3319

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

early 18th century

Contributor

Gift of Dominic P. Jellinek

Format

Porcelain with cobalt pigment under clear glaze
HxW: 4.1 x 26.9 cm

Identifier

F2004.38
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F2004.38.jpg

Coverage

1
164
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxW: 4.1 x 26.9 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Dominic P. Jellinek

Iteration

1

Shelf Number

164

Wall

West

Title

Dish

Object Number

F2004.38

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F2004.38.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:05 +0000 <![CDATA[Plate with design of battling warriors, one of a pair with F1992.15.2]]> https://peacockroom.wayne.edu/items/show/3318

Dublin Core

Title

Plate with design of battling warriors, one of a pair with F1992.15.2

Description

Plate
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."<p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Mr. Pierre Durand

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 7.8 x 34.3 x 34.3 cm

Identifier

F1992.15.1
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.15.1.jpg

Coverage

1
163
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Plate

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 7.8 x 34.3 x 34.3 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. Pierre Durand

Iteration

1

Shelf Number

163

Wall

West

Title

Plate with design of battling warriors, one of a pair with F1992.15.2

Object Number

F1992.15.1

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.15.1.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:05 +0000 <![CDATA[Baluster vase, from a five-piece garniture (F1980.190--194)]]> https://peacockroom.wayne.edu/items/show/3317

Dublin Core

Title

Baluster vase, from a five-piece garniture (F1980.190--194)

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Format

Porcelain with cobalt pigment under clear colorless glaze
HxWxD: 40.2 x 13.0 x 13.0 cm

Identifier

F1980.192a-c
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.192a-c.jpg

Coverage

1
162
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

HxWxD: 40.2 x 13.0 x 13.0 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Iteration

1

Shelf Number

162

Wall

West

Title

Baluster vase, from a five-piece garniture (F1980.190--194)

Object Number

F1980.192a-c

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1980.192a-c.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:46:00 +0000 <![CDATA[Dish with dragon design, one of a pair with F1992.5]]> https://peacockroom.wayne.edu/items/show/3312

Dublin Core

Title

Dish with dragon design, one of a pair with F1992.5

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Mr. John Gruber in memory of John Alexander Pope

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 3.5 x 20.5 x 20.5 cm

Identifier

F1992.6
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.6.jpg

Coverage

1
160
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 3.5 x 20.5 x 20.5 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. John Gruber in memory of John Alexander Pope

Iteration

1

Shelf Number

160

Wall

West

Title

Dish with dragon design, one of a pair with F1992.5

Object Number

F1992.6

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.6.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:59 +0000 <![CDATA[Dish, one of a pair with F1992.34.2]]> https://peacockroom.wayne.edu/items/show/3311

Dublin Core

Title

Dish, one of a pair with F1992.34.2

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Gift of the Lydman Collection

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 4.6 x 20.2 x 20.2 cm

Identifier

F1992.34.1
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.34.1.jpg

Coverage

1
159
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 4.6 x 20.2 x 20.2 cm

City

Jingdezhen

Country

China

Credit Line

Gift of the Lydman Collection

Iteration

1

Shelf Number

159

Wall

West

Title

Dish, one of a pair with F1992.34.2

Object Number

F1992.34.1

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1992.34.1.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:59 +0000 <![CDATA[Rouleau-shaped vase]]> https://peacockroom.wayne.edu/items/show/3303

Dublin Core

Title

Rouleau-shaped vase

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Format

Porcelain with cobalt pigment under clear colorless glaze
Jingdezhen ware
H: 20.3 cm

Identifier

F1982.17
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.17.jpg

Coverage

1
153
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

H: 20.3 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Iteration

1

Shelf Number

153

Wall

West

Title

Rouleau-shaped vase

Object Number

F1982.17

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.17.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:40 +0000 <![CDATA[Vase, one of a pair with F1991.59]]> https://peacockroom.wayne.edu/items/show/3302

Dublin Core

Title

Vase, one of a pair with F1991.59

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

mid 17th-early 18th century

Contributor

Gift of Helen D. Lally

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 26.7 x 11.1 x 11.1 cm

Identifier

F1991.60
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.60.jpg

Coverage

1
152
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Dated

mid 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 26.7 x 11.1 x 11.1 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Helen D. Lally

Iteration

1

Shelf Number

152

Wall

West

Title

Vase, one of a pair with F1991.59

Object Number

F1991.60

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.60.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:40 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3293

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Purchase

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 3.4 x 23.7 x 23.7 cm

Identifier

F1994.26.1
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1994.26.1.jpg

Coverage

1
145
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 3.4 x 23.7 x 23.7 cm

City

Jingdezhen

Country

China

Credit Line

Purchase

Iteration

1

Shelf Number

145

Wall

West

Title

Dish

Object Number

F1994.26.1

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1994.26.1.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:35 +0000 <![CDATA[Vase, one of a pair with F1982.21]]> https://peacockroom.wayne.edu/items/show/3290

Dublin Core

Title

Vase, one of a pair with F1982.21

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Format

Porcelain with cobalt pigment under clear glaze
Jingdezhen ware
HxWxD: 43.2 x 20.5 x 20.5 cm

Identifier

F1982.22
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.22.jpg

Coverage

1
143
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 43.2 x 20.5 x 20.5 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Iteration

1

Shelf Number

143

Wall

West

Title

Vase, one of a pair with F1982.21

Object Number

F1982.22

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.22.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:32 +0000 <![CDATA[Jar with cover]]> https://peacockroom.wayne.edu/items/show/3284

Dublin Core

Title

Jar with cover

Description

Jar
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th-early 18th century

Contributor

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Format

Porcelain with cobalt pigment under clear glaze
Jingdezhen ware
HxWxD: 44.5 x 23.5 x 23.5 cm

Identifier

F1986.21a-c
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.21a-c.jpg

Coverage

1
138
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Jar

Ware

Jingdezhen ware

Dated

late 17th-early 18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 44.5 x 23.5 x 23.5 cm

City

Jingdezhen

Country

China

Credit Line

Purchase--Mary Livingston Griggs and Mary Griggs Burke Foundation

Iteration

1

Shelf Number

138

Wall

West

Title

Jar with cover

Object Number

F1986.21a-c

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1986.21a-c.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:32 +0000 <![CDATA[Vase, one of a pair with F1982.22]]> https://peacockroom.wayne.edu/items/show/3278

Dublin Core

Title

Vase, one of a pair with F1982.22

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Format

Jingdezhen ware
HxWxD: 42.0 x 20.5 x 20.5 cm

Identifier

F1982.21
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.21.jpg

Coverage

1
134
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

1662-1722

Period

Qing dynasty

Dimensions

HxWxD: 42.0 x 20.5 x 20.5 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Iteration

1

Shelf Number

134

Wall

West

Title

Vase, one of a pair with F1982.22

Object Number

F1982.21

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.21.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:28 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3276

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

18th century

Contributor

Gift of Barbaralee Diamonstein-Spielvogel

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 2.9 x 13.7 x 13.7 cm

Identifier

F1991.49
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.49.jpg

Coverage

1
132
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

18th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 2.9 x 13.7 x 13.7 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Barbaralee Diamonstein-Spielvogel

Iteration

1

Shelf Number

132

Wall

West

Title

Dish

Object Number

F1991.49

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1991.49.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:23 +0000 <![CDATA[Dish]]> https://peacockroom.wayne.edu/items/show/3272

Dublin Core

Title

Dish

Description

Dish
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Purchase

Format

Porcelain with cobalt pigment under clear glaze
HxWxD: 3.4 x 23.7 x 23.7 cm

Identifier

F1994.26.2
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1994.26.2.jpg

Coverage

1
129
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Dish

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxWxD: 3.4 x 23.7 x 23.7 cm

City

Jingdezhen

Country

China

Credit Line

Purchase

Iteration

1

Shelf Number

129

Wall

West

Title

Dish

Object Number

F1994.26.2

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1994.26.2.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:13 +0000 <![CDATA[Bottle-shaped vase, one of a pair with F1982.19]]> https://peacockroom.wayne.edu/items/show/3268

Dublin Core

Title

Bottle-shaped vase, one of a pair with F1982.19

Description

Vase
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

1662-1722

Contributor

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Format

Porcelain with cobalt pigment under clear colorless glaze
Jingdezhen ware
HxWxD: 19.7 x 9.5 x 9.5 cm

Identifier

F1982.20
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.20.jpg

Coverage

1
127
West
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Vase

Ware

Jingdezhen ware

Dated

1662-1722

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear colorless glaze

Dimensions

HxWxD: 19.7 x 9.5 x 9.5 cm

City

Jingdezhen

Country

China

Credit Line

Gift of Mr. and Mrs. Myron S. Falk, Jr.

Iteration

1

Shelf Number

127

Wall

West

Title

Bottle-shaped vase, one of a pair with F1982.19

Object Number

F1982.20

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1982.20.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:45:04 +0000 <![CDATA[Incense burner]]> https://peacockroom.wayne.edu/items/show/3265

Dublin Core

Title

Incense burner

Description

Incense burner
The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania." <p>When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Date

late 17th century

Contributor

Anonymous gift

Format

Porcelain with cobalt pigment under clear glaze
Jingdezhen ware
HxW: 14.3 x 23.5 cm

Identifier

F1978.40
http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1978.40.jpg

Coverage

1
125
South
Qing dynasty
Jingdezhen
China

Freer

Label Text

The Peacock Room, originally the dining room in the home of Frederick R. Leyland, was intended to showcase its owner's extensive collection of Chinese blue-and -white porcelain. Among his 300-plus pieces were examples similar to this vessel. Known as Kangxi ware, these pots were produced in the Jingdezhen region during the Kangxi reign (1662-1722). They became so popular with Victorian consumers that the press mockingly dubbed the craze "Chinamania."

When Charles Lang Freer purchased the Peacock Room in London in 1904, it had already been emptied of its blue-and-white porcelains. Freer, in any case, did not care for their slick surfaces and bright glazes. Beginning in the 1980s, the Freer Gallery of Art began to acquire blue-and-whites for display in the Peacock Room, in an effort to evoke the chromatic relationships and pictorial patterns that inspired Whistler and his contemporaries.

Object Name

Incense burner

Ware

Jingdezhen ware

Dated

late 17th century

Period

Qing dynasty

Medium

Porcelain with cobalt pigment under clear glaze

Dimensions

HxW: 14.3 x 23.5 cm

City

Jingdezhen

Country

China

Credit Line

Anonymous gift

Iteration

1

Shelf Number

125

Wall

South

Title

Incense burner

Object Number

F1978.40

Image

http://141.217.97.109/plugins/Dropbox/files/peacock-jpg/JPEG/F1978.40.jpg

Still Image Item Type Metadata

]]> Thu, 28 Apr 2011 08:44:57 +0000