Vase with drum-shaped body and elephant head handles

Freer bought this vase at an American Art Association auction in 1905, where it was offered as part of the sale of the Thomas A. Waggaman collection. (Waggaman, a resident of Washington, D.C. and one of the founders of that city's Catholic University, had opened a private gallery in his Georgetown home in 1888, proposing to charge admission and dedicate the income to the Catholic church). This drum-shaped vase, which dates to the early Edo period, is based on Chinese ceramic prototypes, reflecting the interest in classical Chinese tea wares in seventeenth-century Japan. Freer was especially proud of this piece, and he loaned it to a 1914 exhibition at the Japan Society in New York, where it attracted the attention of Edward Sylvester Morse, whose own collection of Japanese ceramics was destined for the Museum of Fine Arts in Boston. Morse singled out this vase among other Japanese ceramics shown at the 1914 exhibition as being "unique" for its "soft, enticing gold and silver iridescence," which he thought—erroneously—was the result of actual application of silver oxide. He mused: "The curious surface has in places the appearance of the mottled patina and lucent incrustations attaching to bronzes inhumed not too long and subsequently freely handled and caressed." The lambent surface was especially attractive to Freer, whose collection of American paintings exhibited similarly complex surface beauties.